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A List of Sightings

by Guma

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    A List of Sightings in its 'final form'— 180 grams of polyvinyl chloride, blacker than Dale Cooper's coffee and packaged in a premium gatefold sleeve. You've just got to see it to believe it.

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    'A List of Sightings' in high fidelity 16bit/44.1kHz— for those among us who prize portability and still drive cars that aren't trying to constantly sync to Bluetooth. This one's for you.

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    Originally recorded at 24 bits per sample, now available to you on high fidelity analog 2-track cassette tape. 1/4" don't flinch so neither should you.

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  • Full Digital Discography

    Get all 6 Guma releases available on Bandcamp and save 20%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Workingman's Guma, Highway 10 Blues, Driving the Highways of Texas, A List of Sightings, Guma, and Guma 2016 (2021 Remaster). , and , .

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1.
Mud Doctor 03:52
Here is the point; here is the blade Here's where it's sharp; here's where it's safe Here is the line, there is the toe: One quick motion Not that I know Here is the scene; here is the look Here is the moment writ in the book Here is the actress, give her the part That's the idea Not that I know She could be a mud doctor Checking up the mud It is always on my mind: your mood The first impression is the attitude Obligation is in service to wishing Not that I know Thin in the back, but it makes no diff She could be a mud doctor Betting on a flood Late though it seems Here is the contract written by me Here are the things on which we agree And here the divine they told us was three Not that I know Born to the left, but it makes no diff I could be a mud doctor I have it in the blood
2.
Soon I will be idle But not before I'm ready Not a moment too soon Stillness, it comes like a hammer to the teeth So simple to be misunderstood What can I do? Post to the people Start threads, roll heads, and miss connections But even by the coffin and the nail Does the serpent finish eating its tail? As far as the ego comes, I have an ancient one Now more than ever Split from the top of the thing Fountain to the spring Each time I check it is different Is it? Isn't it? It is, isn't it?
3.
Butternut 03:35
Find me a pen I'll do the crossword again I wait for the night When the rondure is right I'll make sure the garden grows tomatoes and a butternut You'd have the boys Giving it up for the camera Picture the moment before the movement We want to see them My two cats: The fat one and the butternut Not for individual sale Trade you for an appetite, never Angles only we achieve together Can I call a meeting in the shower?
4.
It is good for the ground to be ground Same goes for you Getting pretty good at the hard work Keeping up with the yard work Try to spend time with a pen The church, the farm, the city That was one of my favorite rides A lifetime isn't enough time to describe it I receive my new sight Proof of my paid attention On bookshelves, in dreams attended things return to me Marcel said, "It's a pity" That was one of his favorite lines Like a gold rushing Buddha he arrived That's when the bugs come back With no choice but to rebuild And we let out the cat Provided it comes back Less one choice, more one will That's when the dirt comes back With no choice but to be tilled And I'm let out the back Sulking like a cat One more paycheck, one less bill
5.
What is it like to be hung? Or to be given to someone? How does it feel to be bound by the taste of an artist only recently found? I find I know too well When it was wet I could see It was too bright and you would agree But the thing about watching paint dry is: The face doesn't change, just the look to the eye I find I know too well Getting you home was no joke All through the ride and we never even spoke But now that you're here I should say That I like how you look, and I can't look away I find I know too well
6.
When you turn on, it's all at once I know I was just there on the edge of the bed And I called you a name that you knew One word, one syllable: you When you show up holding the punch You know I have been there And I had to get up and get into a different mood Keeping telling you it changes If you just wait it out When you come down we can have lunch with Tim We can ask him: If in all of the years, the cliff and the beach were the same If in all of the years, the wheat and the chaff were the grain As far as he knows, everything fits in the frame As far as he can tell, everything fits in the frame
7.
The greatest fear They describe it here: Fear of God I don't know about that The greatest gift: Idiot's sacrament The gift of god It goes down easy, just like that Pray for a sensitive mind If you had one, you'd know about that Actively I become the key Hedonist I am loved Even now, I am loved Just today Chicken eat the snake Gift from God It goes down easy, just like that Pray for a sensitive mind You have one And you know about that
8.
Always on the doorstep, never in the door Tell myself the front porch is what patience is for Always on the first step, never on the last Tell myself the present is not the sum of the past I remember days when I became so thin It is happening again A week of my dad, my brother, and I Working hard, just the guys Plenty of food and beer But life it seems will find a way To demonstrate the sameness between patience and fear And a new standard arrives: A new kind of person Down the page from "listless," is "lyric" A list of songs to play, groceries, and options And a list of sightings, better than the one before Do we have to remember the one before? Dig myself at the drawing board

credits

released February 18, 2022

Tabor Allen - drumset
Ana Barreiro - drumset
Danny Frankel - percussion
Anna Glenn - flute
Gary Calhoun James - double bass on "The Greatest Fear"
Ryan Jewell - drumset
Steuart Liebig - electric bass
T.J. Masters - acoustic and electric guitars, vocals
Isaiah Morfin - Moog Grandmother, Wurlitzer electric piano
Tony Rinaldi - piano, Wurlitzer electric piano, Hammond organ, Yamaha DX7, Prophet 6, Oberheim OB-6
Alex Sadnik - alto saxophone
Chris Schlarb - Korg DW8000 on "Butternut"
Heather Sommerhauser - vocals, Prophet 600 on "Mud Doctor"
Chad Taylor - drumset
Brian Walsh - bass clarinet

Produced by Chris Schlarb
Mixed by Chris Schlarb and T.J. Masters
Engineered by Devin O’Brien

Woodwind arrangements by Alex Sadnik

Cover photography by Bridgette Miller
Studio photography by Devin O’Brien
Layout and design by Stephen Rockwood

Mastered by JJ Golden

All songs written by T.J. Masters
Published by Guma University Publishing (BMI)
except “House Analogue” written by T.J. Masters and Chris Schlarb
Published by Guma University Publishing (BMI) &
Interstellar Music Holdings of the Psychic Temple (ASCAP)

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Guma Austin, Texas

T.J. Masters is a writer, musician, and community radio host in Austin, TX.

Guma is the name of the group.

Small Cool World airs every Thursday from 4:30pm-6:00pm on KOOP 91.7FM in Austin or online at koop.org
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